My love of craft techniques and working with my hands drives me to work in varied materials. As a result I tend to create in multiple directions, and on several distinct bodies of work simultaneously. Expanding my practice through material experimentation is my way of embracing multiplicity and curiosity, understanding that diversity in all things makes for more abundant life and that learning can happen in diversity in all things makes for more abundant life and that learning can happen in bellies and fingers as much as in heart and mind.

I make clay sculptures, acrylic paintings and weave textiles. Fluctuating between bright punching colors and subdued monochromatic forms, I make both figurative and abstract art. Art making is my sense making through personal investigations of collapse, fragility and interdependence. My figurative works tend to serve as historical interpretations while abstract forms illustrate emotional states in this time of mass extinction, global degradation and the power imbalances that result in ecocide.